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Ned Scott
Ned Scott (April 16, 1907 – November 24, 1964) was an American photographer who worked in the Hollywood film industry as a still photographer from 1935-1948. As a member of the Camera Club of New York from 1930–34, he was heavily influenced by fellow members Paul Strand and Henwar Rodakiewicz.〔(A letter from Henwar Rodakiewicz ), Buzzards Bay, Massachusetts to Ned Scott, New York, New York, November 7, 1932〕
Form was his goddess, his muse. The photographic process was a constant search for the right form, the pure essence, the truth of anything. Creativity was a battle, a struggle between his exacting eye and the nature of his contrary and rebellious self.〔(Letter, Ned Scott to Gladys von Ettinghausen ), July 29, 1935〕 That battle always intrigued him, but left him exhausted. Since form ascendent was the essence of Ned Scott's creativity, he parted company with practitioners of the Photo-Secession movement, Alfred Stieglitz and Edward Steichen of earlier decades. The shape of anything always preceded the idea of its truth, not the reverse. Reality was a function of structure, not the thought process. Capturing that structural truth was the driving force of his photography.
== Early commercial work ==
While living in New York and visiting the Camera Club, Ned Scott began commercial work with still lifes and x-ray tubes. He experimented with light and form during this period. Unfortunately little survives except that which he saved for his own personal collection. His other photographic efforts during this time included a study of La Iglesia de San Francisco in Ranchos de Taos, New Mexico.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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